The French Paintings

Biblis transformed into a fountain

Pierre-Henri De VALENCIENNES (1750-1819)

circa 1792-1793

Enlarge picture jpg 213Ko (See the caption hereafter) (modal window)
Pierre-Henri de Valenciennes, "Biblis changée en fontaine", vers 1792-93, huile sur toiel, 54 x 80 cm

Oil on canvas

873-1-439

Bequeathed by Jean-Marie de Silguy in1864

H. 54 cm - L. 80 cm

Pierre-Henri de Valenciennes is considered to be the founder of modern landscapes, and he particularly encourages work in nature.  With his landscapes, he attempts to create a subtle synthesis between man’s destiny and the place he inhabits. This work is inspired by one of Ovid’s Metamorphoses: Biblis, exhausted by the search for her brother whom she loves, bursts into tears, is unable to get up and is transformed into a fountain which flows forever. The composition resembles a series of successive stage curtains.  The museum exhibits a companion work: Narcisse se mirant dans l’eau (Narcissus looking at his reflection in the water).

The French Paintings

Biblis transformed into a fountain

Pierre-Henri De VALENCIENNES (1750-1819)

circa 1792-1793

Enlarge picture jpg 213Ko (See the caption hereafter) (modal window)
Pierre-Henri de Valenciennes, "Biblis changée en fontaine", vers 1792-93, huile sur toiel, 54 x 80 cm

Oil on canvas

873-1-439

Bequeathed by Jean-Marie de Silguy in1864

H. 54 cm - L. 80 cm

Pierre-Henri de Valenciennes is considered to be the founder of modern landscapes, and he particularly encourages work in nature.  With his landscapes, he attempts to create a subtle synthesis between man’s destiny and the place he inhabits. This work is inspired by one of Ovid’s Metamorphoses: Biblis, exhausted by the search for her brother whom she loves, bursts into tears, is unable to get up and is transformed into a fountain which flows forever. The composition resembles a series of successive stage curtains.  The museum exhibits a companion work: Narcisse se mirant dans l’eau (Narcissus looking at his reflection in the water).

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