Works inspired by Brittany

The Rebels of Fouesnant returned to Quimper by the National Guard in 1792

Jules Girardet (1856-1938)

1886-1887

Enlarge picture jpg 266Ko (See the caption hereafter) (modal window)
Jules Girardet (1856-1938) Les Révoltés de Fouesnant ramenés à Quimper par la Garde nationale en 1792, vers 1886-1887 - Huile sur toile, 1.57 x 2.21 m © Musée des beaux-arts de Quimper

Oil on canvas

55-112

Acquired from the artist in 1887

H. 158 cm - L. 221,5 cm

Girardet specialised in representations of the Counter-Revolution in Brittany, and these enjoyed a certain success in the years approaching the centenary of 1789.  The events that took place in Fouesnant in 1792 were more of a news story than a Revolution.  The prisoner at the head of the convoy resembles the ringleader, but in reality he was arrested much later and the convoy never passed in front of the Locmaria priory in Quimper.  The accumulation of details is intended to convey the artist’s intention to present a « serious documentary », even though he takes liberties with history.

Works inspired by Brittany

The Rebels of Fouesnant returned to Quimper by the National Guard in 1792

Jules Girardet (1856-1938)

1886-1887

Enlarge picture jpg 266Ko (See the caption hereafter) (modal window)
Jules Girardet (1856-1938) Les Révoltés de Fouesnant ramenés à Quimper par la Garde nationale en 1792, vers 1886-1887 - Huile sur toile, 1.57 x 2.21 m © Musée des beaux-arts de Quimper

Oil on canvas

55-112

Acquired from the artist in 1887

H. 158 cm - L. 221,5 cm

Girardet specialised in representations of the Counter-Revolution in Brittany, and these enjoyed a certain success in the years approaching the centenary of 1789.  The events that took place in Fouesnant in 1792 were more of a news story than a Revolution.  The prisoner at the head of the convoy resembles the ringleader, but in reality he was arrested much later and the convoy never passed in front of the Locmaria priory in Quimper.  The accumulation of details is intended to convey the artist’s intention to present a « serious documentary », even though he takes liberties with history.

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